French Romantic Sculptor and Painter, ca.1795-1875, He was a French sculptor most famous for his work as an animalier. Born in Paris, Barye began his career as a goldsmith, like many sculptors of the Romantic Period. After studying under sculptor Francois-Joseph Bosio and painter Baron Antoine-Jean Gros he was in 1818 admitted to the Ecole des Beaux Arts. But it was not until 1823, while working for Fauconnier, the goldsmith, that he discovered his true predilection from watching the wild beasts in the Jardin des Plantes, making vigorous studies of them in pencil drawings comparable to those of Delacroix, then modelling them in sculpture on a large or small scale. In 1831 he exhibited his "Tiger devouring a Crocodile", and in 1832 had mastered a style of his own in the "Lion and Snake." Thenceforward Barye, though engaged in a perpetual struggle with want, exhibited year after year these studies of animals--admirable groups which reveal him as inspired by a spirit of true romance and a feeling for the beauty of the antique, as in "Theseus and the Minotaur" (1847), "Lapitha and Centaur" (1848),   Related Paintings of Antoine louis barye :. | Liberty Leading the People(28 th July 1830) (mk09) | Deposition | Abstract | Beggar boy | solen sjunker |
Related Artists:
BOLTRAFFIO, Giovanni Antonio
Italian High Renaissance Painter, ca.1466-1516 Italian painter and draughtsman. A pupil of Leonardo da Vinci, he was active mainly in Milan and was particularly noted as a portrait painter.
Abanindranath Tagore
Indian, 1871-1951,Painter and writer, brother of Gaganendranath Tagore. Intermittently taught by two undistinguished European academicians, Olinto Ghilardy and Charles Palmer, in 1897 he came under the influence of Ernest Binfield Havell (see HAVELL,), art scholar and catalyst of indigenism. Impressed by Mughal and Persian miniatures and the work of the Japanese artists Taikan Yokoyama and Shunso Hishida, who visited India in 1903, Abanindranath discarded Western realism for the stylized naturalism of Japanese art, which suited his poetic temperament, and the general John Ruskin-William Morris thought axis of such early indigenist theorists as Havell and Ananda Kentish Coomaraswamy. His work until the Omar Khayyam illustrations (1906-10; Santiniketan, Nandan Mus.), with their revivalist nationalism and fin-de-siecle affectations, greatly influenced the Neo-Bengal art movement formed chiefly by his pupils at the Calcutta Art School, where he was Vice-principal from 1905 to 1915. His own later work developed an imagist focus. The Arabian Nights series (1930; Calcutta, Babindra-Bharati Soc.), his magnum opus, in which literary and visual antecedents give the image a cultural ambience without intruding on its independence, marks the beginning of modern Indian narrative painting. His aesthetic theories, formulated in lectures he gave as the Vageswari Professor of Art at Calcutta University (1921-9), stressed the role of individual sensibility and imagination in creativity. Induced by his uncle Rabindranath,
Leon Bonnat
French Academic Painter, 1833-1922,was a French painter. He was born in Bayonne, but from 1846 to 1853 he lived in Madrid, Spain, where his father owned a bookshop. In Madrid he received his artistic training under Madrazo. He later worked in Paris, where he became known as a leading portraitist. His many portraits show the influence of Velazquez and the Spanish realists. He won a medal of honor at Paris in 1869, where he became one of the leading artists of his day. Bonnat went on to become a professor at the Ecole des Beaux Arts in 1882. In May 1905 he succeeded Paul Dubois as director. His vivid portrait-painting is his most characteristic work, but his subject pictures, such as the Martyrdom of St Denis in the Pantheon, are also famous. Some of Bonnat's more notable students include: Gustave Caillebotte, Suzor-Cote, Georges Braque,Raoul Dufy, Marius Vasselon, Fred Barnard,